The title is really for me.
This past weekend, after spending weeks, months actually, on a project (still not done) and studying color theory from the late 19th and early 20th century, I needed to get out and paint from a live model. It did not go well.
Not to make too many excuses but…. I got there late so I was in the very back row and I couldn’t see the model very well. The linen, which had a clear primer on it, had a strange and slippery feel. And because I couldn’t see well, I couldn’t measure well so my drawing was beyond off. I was testing a new limited palette of colors (suggested by Carlos Duran, teacher of John Singer Sargent) and thankfully that was going well. So I painted and scraped. Then I experimented and scraped. This painting/experimenting/scraping continued for the full 3 hours. All the while I could see other painters look behind them as they repeatedly heard the palette knife taking off layers of wet paint. (It has happened to them too. I truly believe I could feel their empathetic, “I feel your pain”.) At the end of the session I gave the linen to a friend of mine so she could try it. Painting is hard work. Some days are very good. Others, not so much. This session was brutal.
Today, as I hiked the mountain with my dogs, I thought about what happened and why. And then I recalled….you know how certain things just come back to haunt you?….that an early teacher had suggested I stick to what I do best and not try to do it all. I completely reject that kind of pigeonholing. But there are things we are better at and more suited to do. Portraits are hit and miss with me. I do better with still life. They are more controllable and I have time to develop and correct. It’s quiet. It’s my space. No one is watching me. And even Rubens would parse out sections of his paintings to those who were more capable. That says something!
So I will continue to paint and draw portraits, but I do know that my stronger suit is the still life and (animals portraits). It’s good to know what one is better at. It allows more room for mistakes, learning, and growth.
Limited Palette of Venetian Red, Raw Sienna, Ultramarine Blue, Cad Red Light, Alizarine